民生美術(shù)館是基于一個(gè)80 年代的工業(yè)建筑改造而成。它以開放性、多元性、靈活性，對(duì)今天美術(shù)館的封閉性、單一性及固定性提出了挑戰(zhàn)，將會(huì)成為中國(guó)當(dāng)代藝術(shù)的最大的公共平臺(tái)。

Minsheng Contemporary Art Museum is a renovation of an old factory from the 1980s. Its openness, diversity, flexibility make it different from typical galleries, which are always monotonous and secluded. It will be the largest public dedicated exhibition space for Chinese contemporary art.

▼美術(shù)館外觀，external view

▼入口，entrance

快速的城市化，不僅為我們創(chuàng)造了物質(zhì)文明的遺產(chǎn)，也為我們身后制造了大量的廢棄物。我們喜新厭舊的心理，讓眾多老建筑遭到遺棄。798 地區(qū)的松下顯像管廠已不再有過去近30 年的輝煌，遍體鱗傷，滿目瘡痍，雖然破舊，不美，但卻透出工業(yè)建筑的粗獷，質(zhì)樸與真實(shí)。這些特征恰和當(dāng)代藝術(shù)的的態(tài)度不謀而合。民生現(xiàn)代美術(shù)館的想法正是在這種基礎(chǔ)上誕生，它尊重工業(yè)建筑樸素，真實(shí)的特質(zhì)，順勢(shì)而為，無用之用，直指當(dāng)代藝術(shù)空間的未來，挑戰(zhàn)傳統(tǒng)美術(shù)館的冠冕堂皇。

The rapid urbanization brings us not only material civilization heritage, but also a huge amount of wastes. The propensity of love the new and loathe the old causes many old buildings being abandoned. The Panasonic factory at 798 area is devastated and ruined, but its rough, plain and real industrial building features happen to coincide with the attitude of contemporary art. The concept of Minsheng Contemporary Art Museum derives from the above, it respects the simplicity and reality of industrial buildings, aiming at the future of contemporary art space, challenging the high-sounding traditional art museum.

1. 空間多元，替代“白立方”單一空間模式

與傳統(tǒng)藝術(shù)相比，當(dāng)代藝術(shù)的一個(gè)顯著特征是其表現(xiàn)形式的多元，為了成就這種特征，民生現(xiàn)代美術(shù)館不僅塑造了傳統(tǒng)美術(shù)館中5米凈高的經(jīng)典空間，更有大小不一，尺寸各異，層高顯著不同的空間：大盒子，中盒子，小盒子，經(jīng)典空間，院落展覽空間，黑盒子（多功能表演，會(huì)議，展覽空間）去應(yīng)對(duì)不同藝術(shù)形式的需求。它們有機(jī)地組織在一個(gè)充滿張力的中心空間周圍，結(jié)合美術(shù)館前裝置公園，屋頂展覽平臺(tái)，中心院落等開放式展覽空間，構(gòu)成一組尺度不同，形態(tài)各異的空間組群。

1. diversity of spaces, replacing single space pattern of “white cube”

Comparing to traditional art, a distinguishing feature of contemporary art is the diversity form of representation. In order to facilitate this, Minsheng Contemporary Art Museum not only has the 5 meters clear height space of traditional art museum, but also has spaces of different sizes and dimensions: big box, middle box, small box, classic space, courtyard exhibition space, black box(multi-function performance, convention, exhibition spaces). They are organized organically by the central space full of tension, combining with open exhibition spaces such as installation park in front of the art museum, exhibition platform on the rooftop, and central courtyard, forming a group of spaces with different dimensions and shapes.

赫爾辛基，2013 8月12日

芬蘭聯(lián)邦總檢察長(zhǎng)

里斯托·錫皮拉    芬蘭律師協(xié)會(huì)會(huì)長(zhǎng)，律師